Columbus's firm grounding in the cinema of the Here and Now left him ill-prepared to capture the otherworldly appeals of the Potter series, so he retreated into literalism, transcribing Rowling's work onto the screen with stenographic fidelity. Doubtfire, Adventures in Babysitting, and the Home Alone movies. The first two attempts to bring Rowling's work to the big screen- Harry Potter and the Sorcerer's Stone and Harry Potter and the Chamber of Secrets-were both directed by Chris Columbus, the corporate sentimentalist who gave us such explorations of contemporary domesticity as Stepmom, Mrs. Rather, Cuarón brought to the Potter franchise a quality curiously missing from the two previous films: magic. Fortunately, any fears that Cuarón would have Harry and wizarding buddy Ron Weasley trading graphic descriptions of their sexual conquests- Y Professor McGonagall Tambien?-proved unfounded. But he had more recently (and more famously) directed Y Tu Mama Tambien, a sexually explicit film about the relationship between two teenage boys and an older woman. Yes, the Mexican-born director had helmed A Little Princess, a movie featuring a young protagonist who, like Harry, had lost her parents. Rowling's (deservedly) ubiquitous novels. I suspect I am not the only person who was a bit surprised when it was first announced that Alfonso Cuarón had been signed to direct Harry Potter and the Prisoner of Azkaban, the third film adaptation of J.K.
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